I featured Santabeat and his first Golden Beats mix a few weeks ago and well he is back again with “Golden Beats Volume 2” a collection of beats and bass in an hours worth of new music well mixed together.

You can catch Santabeat – Golden Beats Volume 1 > HERE

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At the top of the leader board (if there ever was such a thing) are the duo that is the Stanton Warriors who have been in the electronic music scene from the 1990’s and look like never slowing down. This mix was recorded for BBC Radio 1 and Annie Nightingale’s “Quest Mix” an hours worth of beats, bass, breakbeats and music that the Stantons are digging at the moment, plus it’s a FREE direct download.

Section launch their new label ‘Locked Up Music’ with the ‘Give Us  A Break EP’ It’s out right now on Bandcamp followed by Juno Download from May the 11th and all good download stores from the 18th of May. Read on for an insightful interview from the Section lads….

Section – Give Us A Break EP by Section

For those who don’t know, tell us a bit about Section. How did you get into music production? What were the initial steps?
We are from Worthing, West Sussex (UK) and are made up of James Barclay (Jay B) and Nathan Solley (Solley). We have been mates for years and always talked about music and go to nights in Brighton. I used to DJ a lot in the early 00s and this inspired Nathan to make Drum & Bass. I was never interested in the production side of things but when Nathan showed me the process on Cubase I became hooked! In 2007 I got my own setup and things progressed from there. We formed Section in 2013 and we’ve never looked backed! 

How would you describe your production style?
Dancefloor rollers! We try to make music that has elements of the original jungle sound that we grew up on but it has to have an impact in the clubs. We use a lot of samples to maintain an authentic flavour but we hope that we are relevant to the younger crowd too, as we understand that they are the next generation of this incredible movement.
Why have you decided to start your own label and what plans do you have in store?
It was always the dream but initially, it didn’t feel right. In 2016 we spoke about it while camping, Solley came up with the name immediately and 6 months later we have our first release ready to go! We have our first three releases sorted; the first is our Give Us A Break EP which will be available on Juno from 11/5/17 and worldwide on 18/5/17, then we have a two track release from ourselves. The third release is the first part of the Alliance Series which features four collaboration tracks. We wanted to involve artists who have supported us over the past few years, and who we felt we could collaborate with effectively. We plan to continue the series and hopefully get more artists involved in the future.

Are there any major influences production wise that inspire you?
Jay B – This is always a tricky question to answer but I reckon the Bristol sound of the late 90s has really inspired the way I approach music production (Roni Size, Krust, Die, Suv, D Product, Surge etc.) I also think that UK Hip-Hop production is influential; sample driven, raw but with soul.
Solley – I think Pink Floyd have been a major influence on my sound since I started making music, I love those long evolving pads and anything dripping in reverb or delays. Drum & Bass wise I’m inspired by Paradox’s production; I love his drums! Such good programming and sound so ruff, they’re proper drums, none of this one shot shit!
Of all the tunes you’ve made, which is your favourite?
Jay B – Can I have two?! We released a track in 2014 called Beauty & The Bass. It is quite different from our normal stuff but love it! Solley sings on it too, which is a rare treat!

The second tune is one that is coming out very soon on Directors Cut called “Ten Tonne Sound” with our pal Junior Red. He smashes it! We have worked with him on a few tracks in the past and will continue to work with him in the future. He has so much talent, if you don’t know then get to know!

Solley – I really like Fear on the new EP. I think the track translates into a real emotion for me; it feels anxious and uncomfortable, in a good way! I’m happy with the drums on that one.
Where have you DJ’ed?
I (Jay B) do the majority of the DJing; it’s what I have done since 1997 and I still love playing out in clubs today (although my kids have scuppered too many late nights these days!). I have been fortunate to play all over the UK, including One Nation at Brixton Academy. I have played at the Winter Music Conference in Miami and in 2013 Nathan and I played at Remedy and Koncrete Jungle in New York.
Describe to us your approach to a DJ set, do you like to gently warm up the crowd or go for the bangers or more of a journey approach?
Unfortunately, you only get an hour in the UK (or 30mins if B2B) so you don’t have much time to create a journey. We mainly play at the Volks in Brighton and to be honest the crowd love it hard for 60mins so that’s what we try to deliver! Playing to that sort of crowd has definitely influenced our production; the first drop has to kill it or they’ll stop dancing pretty quickly ha!
Could you offer a bit of advice for an up and coming producer?

Solley – Mmm, my advice to up and coming producers would be, not to spend any time trying to sound like anyone else you would be doing yourself and others a great disservice. I know I wasted so many hours of my life trying to sound like Noisia or Pendulum, but in the end, all you end up sounding like is a shit version of someone better at being themselves! I would love to give my younger self that advice.
And if you could remix any tune of your choice, what would it be?
Jay B – Another tricky question! Two tunes spring to mind; Horizons by LTJ Bukem and Deadly Deep Subs by Dillinja. I suppose these two tracks got me hooked on Jungle. One part of me says remixing tunes like these would be incredible, another says don’t touch history!
Solley – I think I would choose anything by Simon Posford under his Hallucinogen alias, not because I actually want to remix it but so I can see how he puts his tunes together! He has such great sound design and intricate detail; I love all that!
So before we hit play on this new forthcoming release of yours on Locked Up Music, can you tell us a bit about the inspiration behind it?
The EP is called Give Us A Break, which has two meanings. The first is obvious(!) the second alludes to the fact that we use funk breaks in our tunes because that’s the sound we fell in love with. All four tunes original funk breaks; answers on a postcard!
We wrote the EP with that concept in mind, something that we haven’t done before, but we are pleased with the results. So far we have had some really humbling feedback from artists we respect; Bailey, Need For Mirrors, Blu Mar Ten, Ray Keith. We look forward to releasing more music on our label as well as other labels that have supported us to get us to this point on our journey.
Any final words and shout outs?
Jay B – Yes! I would like to thank my wife Sarah who puts up with the long hours I spend making music. I love you!
Solley – I’d like to shout out to my cousin Clement White for getting me started in music production and teaching me how to use synths and software, and also to Ashley Jackson (DJ Mace) for giving us loads of samples when we were starting out. Big up!

We would also like to thank all the DJs, promoters and label owners who have helped us try to make some headway in a scene which is notoriously difficult to succeed in. We will try to not forget anyone but apologies if I do!
Ash-A-Tack, Tony Damage, Monita, Ray Keith, DJ Hybrid, Agro, Junior Red, John Physmatics, Ill Effects, Taelimb & Conscience, Stu Rogue Beatz, Ikon-B & Crisis, DJ Wise & Lipton MC (Dream FM), Xeropoint, Bailey, Need For Mirrors, Blu Mar Ten, A-Sides, LSB, Tyke, Trouble & Maniac, Rustycee, Lotskee, Richie Weaver, DJ Uno, Livewire, Threts, Cynical Gene, Brown B, Jaybee, XTC, Cabin Fever, D Funk, Kumarachi, Soul Intent, Madcap, Dazee, Verdikt, Mentah, Marcus Tee, Kosine & Dialect, DJ Mace, Margaman, Lifestyle Music, Jawa (Everyday Junglist Podcast), Kilo & Maz (Trickstar FM) and all of the Volks creatures!
We would also like to make special thanks to Dapz from Compound Audio who does all of our mastering, but has also been key in improving our mixes with his expert advice. Big up!
A final thanks to free breaks blog for reviewing our debut release. Hope to catch you all out and about soon!
James and Nathan

Section Interview + New EP

Jayphies-Groove has been super busy uploading a whole stack of amazing Funk, Soul and Disco edits/remixes to his Soundcloud page over the last few days. There has been so much that it’s been tricky to pick out a favourite as they’re all so damn good, but this spin on Average White Band‘s ‘Cut The Cake’ just shone that little bit brighter than the rest. It’s a horny affair with bags of drive that’ll see you up a moving to the groove with ease.

With a bumper bank holiday coming up this weekend, a visit to his Soundcloud page is a must as there’s loads of dance floor weapons to be found to spice up any upcoming parties!

Links for Jayphies-Groove :

Soundcloud / Facebook / Website

https://www.traxsource.com/title/717723/bitter-sweet-ep

Lee Jeffrey (UK)’s ‘Bitter Sweet EP’ is release No1 on a label you really need to know, a label known as Deja Vu Traxx that is releasing some of the best House & Tech House around right now

‘Bitter Sweet’ kicks things off with sharp stabs with ravey interludes. ‘Come Up’ is a deeper affair in true House music mode making good use of funky synths and cut up vox. ‘Get On’ is our absolute fave from a fine trio of tunes, lots of great drums (and drumrolls) and an excellent take on the currently popular raw house style influenced by the late 80s Hip House/Jackin’ House sound.

Lee Jeffrey (UK) – Bitter Sweet EP

https://www.beatport.com/release/karate-lp-the-black-belt-edition/1961915

Prolix, Joe Ford, Synergy & Neonlight each rework  4 popular tracks from L 33 huge Eatbrain LP ‘Karate’ This is the Black Belt Edition Remixes

If all these heavyweight talents weren’t enough, L 33 also throw in a VIP of ‘Bloodbrain’ Thats 5 audio ‘ushiro geris’ to leave you in a very happy but painful heap!!!!

L 33 – Karate LP-Black Belt Edition – The Remixes

Back in 1976, Blacksmoke released their self titled album and kicking off the Funk spectacular that it is was ‘Gotta Bad Feeling‘. Paris based producer, Morlack, has a fondness for that particular tune and has decided to give it a makeover by adding in chunky broken beats, even more Funk and a whole lotta groove. You’re gonna have to have it and when you do have it, you’ll be extremely happy that you do have it, promise.

Download ‘Gotta Bad Feeling’ here via Hypeddit.

Links for Morlack :

Soundcloud / Facebook / Beatport / Mixcloud / YouTube

Wax Worx has been busy getting his head down in the studio of late and all his hard work is paying off big time and to bring some life to that statement, get a load of his new tune ‘Hey Mr DJ‘. The original by, Screen II, is one of his all time favourite tracks and he’s done the business with his re-cut. The energy levels are right up there and once you get it spinning, it’s gonna feel like a carnival is marching it’s way through your mind. Infectious stuff!

Download ‘Hey Mr DJ’ here via Hypeddit.

Links for Wax Worx :

Soundcloud / Facebook / Website / Beatport / Mixcloud / YouTube / Twitter / Instagram

Daniel Rateuke is a German DJ/producer who has been spinning tunes since the tender age of 14. His love for groove laiden Tech House and thumping Techno beats knows no bounds and all that love can best be found in the music he makes, plays and releases on his own label,  Point House Records.

A fine example of Daniel’s love for thumping, twisted Techno, comes through loud and clear in his remix of Mighty Dub Katz ‘Magic Carpet Ride’. This gnarly piece of work will soon rid you of any lethargy that might just be hanging around due to the weekends excesses so get up, get lively and take that magic carpet ride.

Download Daniel Rateuke’s remix here via Hypeddit.

Links for Daniel Rateuke :

Soundcloud / Facebook / Website / Beatport

We are very pleased to feature the premiere stream of Father Funk – Swagger Ft. Too Many Ts taken from new LP ‘Heavy Rotation’

‘Heavy Rotation’ is available now via iTunes, Spotify, Juno, Deezer, Beatport and all good digital stores.

Ghetto Funk DJ and producer Father Funk has today released his long-awaited debut album ‘Heavy Rotation’ on his favourite day of the year – 420 day! Not only is it his first full record but it is also the first release on his brand new label ‘Funk Therapy’. The new album is available now in all major digital stores across 270 countries.
After signing with legendary agency and former label Finger Lickin’, Father Funk quickly became one of the biggest names in Breakbeat and Ghetto Funk. Fresh off the back of two Canada tours earlier this year and the 1st anniversary of his own successful Bristol based night ‘Church of Love’, the father has cemented himself as one of the freshest tastemakers in the UK right now.
Taking huge inspiration from the disco and funk sounds of the 70’s and 80’s he has been writing music for over 10 years having released 5 EP’s and numerous singles across Sunday Best, Ghetto Funk, Adapted Records and Scour Records to name a few. His back catalogue includes remixes for the likes of Dub Pistols and Fort Knox Five including many bootleg remixes that have also amassed huge numbers on Soundcloud.
This debut record is the first full release that is completely original and free from his best-known sampling work. It captures the energy of the funk and soul golden years whilst combining it with modern dance music and disco culture, not sticking to one particular genre. With over 3 years in the making the father has been able to collaborate with some of the freshest names in the UK on this project; including London rap duo Too Many T’s, Ghetto Funk legends WBBL and Slynk, Canadian rap group Illvis Freshly and neo-soul singer Hilary Beckett.
Speaking on the new release Will Williamson aka Father Funk said:

I think the album is a bit of a lost art these days, and as someone who still very much enjoys listening to them, I wanted to bring back this mentality of writing songs as a collective artwork, not just as floor fillers or money makers. ‘Heavy Rotation’ is not just for dance floors but for front rooms, backyards and long journeys. I hope you enjoy it is as much as I enjoyed making it.

Father Funk – Swagger Ft. Too Many Ts [Premiere]